Wednesday, 22 August 2012

HIGH CONCEPT BY JOCHEM VANDERSTEEN

When I wrote ''No Dead Body In Sight" I wanted to do two things....
One. I wanted to write a Noah Milano short story again after the two novelettes I'd written that year.


Two. I wanted it to be a bit ''high concept'' thriller married to a PI story and see how using a high concept would affect sales.

What do I mean with high concept thriller? Well, there are a number of examples in the movie world... Speed, Jurrassic Park, and one that embodies high concept more than any other movie Snakes On A Plane. Why Snakes On A Plane? Well, a high-concept thriller should interest you from the get-go, just by the description. So, for Jurrassic Park: ''what if we could clone dinosaurs". Snakes On A Plane has the high concept described in the title!


In books the high concept thriller is about the same but often a book with a high concept theme is one that contains a radical or somewhat outlandish premise. For "No Dead Body In Sight'' the high-concept is this: An aging movie star is sure she discovered a dead body on the beach. When the police arrives there's no deady body in sight.

The following makes it a PI story: She hires Noah Milano, son of a mobster and security specialist to prove she's not crazy. Trying to uncover this mystery Noah soon finds himself in grave danger...

Interested by the concept? Don't hesitate... It will only cost you 99 cents to read...

Thursday, 16 August 2012

Just For The Smell Of It by Zoë Sharp

They say travel broadens the mind. I find it calms it. And I’ve been doing quite some travelling over the past few days. I was ashamed to discover that I had spent more time in Japan than I had in the Outer Hebrides of the British Isles. A long-standing invite from friends who moved out there, plus the promise of some interesting research, was all I needed. A five-hour ferry ride from Oban later, and I’m on Benbecula, looking out over the Atlantic towards the Americas.

My trip started last Friday with a spur-of-the-moment detour to west Cumbria, which also involved calling in on fellow crime writer Matt Hilton and his wife, Denise. Then up to just west of Edinburgh via twisty back roads through stunning countryside.

From there it was up to the Aberdeen area to call in on the ever-cheery Stuart MacBride and Fiona — not to mention their fabulous-and-she-knows-it cat, Grendel. Stuart and I spent two days on top of his garage roof doing manly repairing stuff. I have now acquired my own pry-bar set and lump hammer. I wanted to name the lump hammer Sir Stuart in his honour, (as in, “Pass me the mighty Sir Stuart and I shall teach this recalcitrant nail a thing or two …”) but this suggestion was greeted with a certain lack of enthusiasm. Ah well.

From Aberdeen was a long but beautiful drive down to Oban on the west coast of Scotland to catch my ferry for the western isles. Another stunning trip, and although I set off in heavy rain, it wasn’t long before I could stop and put the top down on the car again.

The ferry trip itself was uneventful, apart from getting my car doored by people who, it seems, are incapable of getting back into their own vehicles without ramming their car doors into everything else in sight. Argh! I don’t find that annoying At All. (mutter, mutter, mutter)


Then it was another hour’s drive from the ferry terminal at Lochboisdale up South Uist and across several causeways to Benbecula. I hate to keep using the words ‘beautiful’, or ‘stunning’ but the simple fact is that’s exactly what this place is. Any Brit who wants to travel to exotic climes would do well to explore their own country before doing so.

The nicest thing about travelling by convertible with the top down is the smell. Sounds weird, but unlike sitting inside a pollen-filtered, air-conditioned box of steel and glass, having the roof down means every time I pass a field  of newly mown hay, or a patch of wild garlic, or a house with a wood fire burning, the smell of it hits me right away. OK, so you get less pleasant smells instantly, too, but it all adds to the connection with the land through which you’re passing.

Here on the islands, the overwhelming smell is that of the ocean. Salt and kelp and the clean raw smell of a wind that has failed to pick up anything malodourous for a thousand miles or more. If there’s one overriding memory I shall take home with me from this, it’s the smell of the place.

It reminds me, too, the importance of including smell in my writing. I’m not talking scratch-and-sniff pages, but the description of a scent, a sharp tang, a wisp of something almost intangible, is as important in narrative as the sights and sounds. It is, after all, our biggest memory trigger, good or bad.

For me, some are obvious. The reek of a road-kill skunk in New England, even after a week of heavy snow, is not something I will forget in a hurry. But I also hate the smell of solder and lilies. My favourite smells? Fresh-cut grass, good coffee, new bread, creosote.

So, what are your own memory triggers? What scents do you love, and what do you hate? And why?

This week’s Word of the Week is Karmageddon : It's like, when everybody is sending off all these really bad vibes, right? And then, like, the Earth explodes and it's, like, a serious bummer…



Thursday, 2 August 2012

Voyage Of Discovery by Zoe Sharp

Voyage of Discovery by


He says, “People like you are the scum of the earth,” and Angel smiles at him.

Yesterday (Wednesday) was not only the start of new month but for me it was also the start of a new project. So far, what you see above is the opening line, but I recognize that by the time I reach the end it may well have changed. In fact, the scene I’ve been writing may not be the opening scene any longer, and even the present-tense narrative may not survive the first draft.

But at the moment I’m still in that excited-but-scared-witless stage I always get at the beginning of a new book. Finding the right jumping-in point to the story, working out how to best get across the characters and their situations without piling on loads of superfluous backstory. And above all trying to craft something that fits with my hopes and expectations for the work. Vague half-formed ideas and snatches of dialogue always seem so much better before you trap them into an orderly narrative.

Maybe this time I’ll manage a little more ‘jump first, worry about the parachute later’ ― much like the main character, Angel.

What makes it a little more daunting is that this book is not part of my ongoing series―of which DIE EASY: Charlie Fox book ten will be published in Oct (UK) and Jan (US). Instead, I’m striking out with a new character, a new setting for the first of what I very much hope will be a trilogy. (And Angel is a she not a he, in case you were wondering.) I may be branching out on something new, but I’m sticking with a strong female protagonist which, I hope, is one of the reasons people read and enjoy my books.

But here I am now right at the start of my three-leg voyage, with a reasonable idea of my eventual destination and the ports of call along the way. I don’t have a full fixed outline, though, and that in itself is slightly scary. I like to work from a detailed chart. This time I have a few notes and a sextant ― which will tell me where I am, but not necessarily where I’m going!

If things progress even halfway according to plan, it’s going to be a short, sharp and possibly bumpy ride ― think the Southern Ocean rather than the Norfolk Broads. I’ve set myself a deadline of the beginning of October to complete the bones of the tale. Two months. That’s a tough schedule by anyone’s standards. I don’t know yet if I can do it, but sometimes you just have to take the challenge and give it your best shot.

I don’t even have a fixed title, because this time it’s not a case of simply naming one book ― I have to fit that into a set of three. They need to make sense both individually and as a whole, relating to each other as well as the stories that make up the overall arc.

But I do have a firm picture of Angel Cain, who I tried out in the CWA short story anthology, ORIGINAL SINS. She looks at life with a devil-may-care gleam in her eye and a reckless intensity that makes Charlie Fox seem quite restrained by comparison. As a travelling companion, I think she’s going to be a blast ― if she doesn’t get me killed first.

One thing’s for sure, though, I’m sure as hell looking forward to the journey.

Please excuse a bit of BSP, but this week also saw the publication of FIFTH VICTIM: Charlie Fox book nine in UK paperback format, with a stunning new cover. And the opening line?

‘The only thing more terrifying than fighting for your life is fighting for someone else’s.’

This week’s Word of the Week is corbie, a Scots dialect word for a raven or crow. From this is also a corbie messenger which is a messenger who returns too late, or not at all.

Wednesday, 1 August 2012

Sons Of Spade

Find out what's happening in the world of private eye fiction at Jochem Vandersteen's Sons Of Spade.

Tuesday, 24 July 2012

Skin Deep by Timothy Hallinan



Skin Deep by Timothy Hallinan

It all starts in a bar. Los Angeles based Private Eye Simeon Grist is getting nicely souses and trying to pick up the barmaid when in walks the aptly named Toby Vane.


Vane is the star of a prime time television show who gets his kicks beating up women. When he starts to slap around his beautiful Korean companion, Simeon steps in.

Read the rest of Paul D Brazill's review at his BLOG.

Saturday, 21 July 2012

Bruce De Silva Interview

Q1: Can you pitch your latest publication in 25 words or less?


A1: In "Cliff Walk," Liam Mulligan, reporter for a dying Providence newspaper, exposes connections between politicians and the city's thriving, sometimes murderous, sex trade.


Q2: Which books, films, or television shows have floated your boat recently?



A2: I'm a big fan of "Justified," the hardboiled FX television series based on a character developed by the great Elmore Leonard. I also like HBO's "The Newsroom," a new series about a TV network that decides to abandon the fluff and punditry to cover important news with integrity. It's a fantasy, of course, because it's never going to happen. And "Ted," the movie in whichSeth McFarlane of "Family Guy" fame is the voice of a brawling, pot-smoking, foul-mouthed Teddy bear, is the funniest thing I've seen in years.

Q3: Is it possible for a writer to be an objective reader?


Read the rest of the interview at YOU WOULD SAY THAT, WOULDN'T YOU?