Thursday, 4 July 2013

How does it go again? by Zoë Sharp



I should be used to it by now, I really should. It happens every time. Yet this morning I sat down to start work on a new project and was disappointed to find it had happened agai
I couldn’t remember how to write a book.

The fact that I’m planning to make this next one a novella rather than a full-length book does not, sadly make it any easier to get into.

I have the title for the novella, which will feature my series heroine Charlie Fox. After much indecision I finally went for ABSENCE OF LIGHT, which I hope is reasonably intriguing.

There are a few reasons behind this choice. For a start, the books have all had two-word titles right the way through from KILLER INSTINCT to DIE EASY. The short stories on the other hand tend to have longer ones—Across The Broken Line and Postcards From Another Country for instance. So for something in between I wanted a different shape of title.

The story itself will see Charlie acting as a replacement security advisor for a group called Rescue & Recovery—R&R for short—as they deal with the aftermath of a major earthquake. R&R’s job is to go into disaster areas to help rescue the trapped and injured, recover the dead, maintain order and start to rebuild damaged infrastructure. She’s joining a tight-knit team who trust each other with their lives. But their last security guy was killed on the job in what can only be described as suspicious circumstances. Is the rest of the team covering for someone?

I knew the story was going to start with Charlie and another person buried underground following an aftershock. Will she be rescued or will she have to fight her own way out of the darkness alone?
And from that image came the title. When I looked up the definition of absolute darkness there it was—a total absence of light.

Putting the team together was fun. An uptight French doctor and pathologist, a laid-back Aussie helicopter pilot, an ex-Marine Corps structural engineer and a young Brit girl with a labrador retriever trained to sniff out both the living and the dead. All have a past from which they’re trying to escape and none of them are keen for Charlie to find out what that is. But how far are they prepared to go to stop her?

Eventually I had to resort to pencil and paper to find my way into the story of this tangled group. After much scribbling and scribbling-out, the opening line eventually deigned to present itself to me:
‘The last time I died they didn’t get a chance to put me in the ground for it.’
Whether it remains after the final edit remains to be seen. Meantime, I’m shakily getting my writing legs under me and I think I might—just might—be able to remember how to do this after all …
Wish me luck! 

This week's Word of the Week is malversation, meaning dishonest or unethical conduct in office, such as bribery, extortion or embezzlement; corrupt administration of funds, from the Latin male badly, and versari to occupy oneself.
Zoë Sharp

Wednesday, 12 June 2013

Out of the Gutter Online: Brit Grit Alley

Out of the Gutter Online: Brit Grit Alley: Brit Grit Alley features news and updates on what's happening down British crime fiction's booze and blood soaked alleyways. ...

Thursday, 30 May 2013

Out of the Gutter Online: Brit Grit Alley

Out of the Gutter Online: Brit Grit Alley: Paul D. Brazill's Brit Grit Alley column
features news and updates on what's happening down British crime fiction's booze and blood soaked alleyways. ...

Saturday, 13 April 2013

In praise of Versatility by Zoë Sharp


Last week I was honoured and somewhat surprised to be nominated for the Versatile Blogger Award by be-kilted Scottish fellow scribe Seumas Gallacher, bless his little Sgian-dubh. And if you want to see pictures, you’ll have to visit his blog :))

Apparently the VBA is awarded by bloggers to other bloggers who happen to witter on about things that somebody, somewhere, might concievably find interesting or entertaining. What a lovely thought.

The requirements are that I then nominate up to fifteen other bloggers I find interesting or entertaining, and so it goes on until we all start attempting to nominate each other several times over, or we lie behind the sofa when we hear the knock on the door and pretend to be out.

So, here are my favourites in strictly alphabetical order:

Christine Kling — Sailing Writer

Graham Smith — CrimeSquad

J Sydney Jones — Scene of the Crime

Jochem Vandersteen — Sons of Spade

Jungle Red Writers

Lee Goldberg — A Writer’s Life

Lesa Holstine — Lesa’s Book Critiques

Murder Is Everywhere

Paul D Brazill — You Would Say That, Wouldn’t You? and Brit Grit Alley

Rhian Davies — It’s A Crime

Richard Godwin — Chin Wags At The Slaughterhouse

Russel D McLean — Do Some Damage and These Aye Mean Streets

Seeley James — Headquarters for thriller readers

Timothy Hallinan — Blog Cabin

Tony Black — Pulp Pusher

Profuse apologies to anyone I’ve missed out!

The second requirement of all this is to reveal seven things you don’t know about me. Hmm, that’s tricky but I’ll give it a whirl: 



I learned to scuba dive as a child before I could swim. Still not the world’s best swimmer — would rather have a wetsuit and pair of fins.


I hate filling in forms.


I can dry-stone wall.


I once took part in a rodeo

.
I have a thing about feet — particularly ones with cracked heels, hairy toes and curling yellowed nails. Yuck!


I can kill you where you stand — oh, hang on, everybody knows that about me. I’ll try again: I am a qualified British Horse Society riding instructor and used to love side-saddle.


I used to crew boats as an astro-navigator and still have my own sextant — a gift from my father.

That’s it from me. Thank you again to Seumas for the nod.

This week’s Word of the Week is fictioneer — one who writes fiction especially in quantity rather than quality, a word coined in 1923 and from the Latin fingere from which we also get feign and figment. 


 

Wednesday, 13 March 2013

Pulp Pusher: GUEST BLOG: Jochem Vandersteen

Pulp Pusher: GUEST BLOG: Jochem Vandersteen: I’m honored Tony Black invited me over to talk about Noah Milano and his inspirations. Tony was one of the first people to tell me they ...

Thursday, 14 February 2013

Zoë Sharp Presents Jaden Terrell




This week it’s my pleasure to introduce another Hardboiled Collective member, Jaden Terrell, and give you a taster of her second novel about Nashville private detective Jared McKean.
Jaden originally set out to write an epic fantasy trilogy as well as her PI character, but along the way she claims she fell in love with Jared:
“Jared was a former homicide detective, and I knew nothing about police work, forensic science, or investigative procedures,” Jaden admits. “I just knew this was a man I wanted to write about. So I went to the Citizen Police Academy, then the Citizen FBI Academy and the Citizen TBI Academy. I went on a few ride-alongs. I took the medical examiner to lunch. I even got to participate in an FBI tactical training exercise; a group of us played out a variety of scenarios in an abandoned shopping mall. In one, the ‘bad guy’ came in shooting, we role-players scattered and hid, and the tactical team neutralized the danger and got us all to safety. What a rush.
“Now, after a few false steps and a lot of support from friends and fellow writers, the first two Jared McKean books, RACING THE DEVIL and A CUP FULL OF MIDNIGHT, are published with The Permanent Press. Both have been released as audio books by Blackstone Audio and translated into German by Rowohlt.”

At thirty-six, private detective Jared McKean is coming to terms with his unjust dismissal from the Nashville murder squad and an unwanted divorce from a woman he still loves. Jared is a natural horseman and horse rescuer whose son has Down syndrome, whose best friend has AIDS, and whose teenaged nephew, Josh, has fallen under the influence of a dangerous fringe of the Goth subculture.
 When the fringe group’s leader—a mind-manipulating sociopath who considers himself a vampire—is found butchered and posed across a pentagram, Josh is the number one suspect. Jared will need all his skills as a private investigator and former homicide detective to match wits with the most terrifying killer he has ever seen. When he learns that his nephew is next on the killer’s list, Jared will risk his reputation, his family, and his life in a desperate attempt to save the boy he loves like a son.

Praise for Jaden Terrell’s A CUP FULL OF MIDNIGHT
“If there's anything Terrell can't do, you wouldn't know it from reading A CUP FULL OF MIDNIGHT.  This is a riveting, deeply felt novel with a terrific mystery at its core.”—Timothy Hallinan, Edgar nominee and author of the critically acclaimed Poke Rafferty Bangkok thrillers A Nail Through the HeartThe Fourth WatcherBreathing Water, and The Queen of Patpong

“Jared McKean, the Nashville cop-turned-private-eye, returns for a second helping of action and intrigue … In the first McKean mystery, the excellent RACING THE DEVIL (2012), Jared was a suspect in a homicide; here, it's his nephew. You'd think this might lead to a case of the rerun blahs, but, despite the thematic similarity to its predecessor, the book works very well. Terrell gives Jared plenty of fresh detecting to do, and he includes a meaty subplot involving the manipulative nature of cults (especially on impressionable young minds). A worthy successor to the author’s top-notch debut. Fans of mainstream PI novels definitely need to check out Terrell.”—Booklist, August 2012

“Author Terrell does not just tell a story, she plays with language to permit the story to take on its own life as you read. And her characters never lose their humanity, even as they struggle with pain that is almost more than an individual can bear.”—Suspense Magazine

“Saddle up for PI Jared McKean's welcome second appearance. While successfully juggling a complex cast with numerous mini-dramas, Terrell never loses focus on a case about troubled teens, which [he] writes with sympathy.”—Library Journal

“If Taylor Jackson ever needed a private investigator, she would call Jared McKean.”—J.T. Ellison, New York Times bestselling author of the Taylor Jackson and Samantha Owen thrillers


A CUP FULL OF MIDNIGHT
CHAPTER ONE
THE CALL CAME three hours into the stakeout, just as the man in the cowboy hat pulled up to the curb in a red Lexus so polished it looked like it had been dipped in molten glass. It was a wet winter afternoon, and a flat gray sky spat sleet and ice onto the windshield of my black and chrome Chevy Silverado pickup. A sweet ride. Not so sweet in the middle of winter with the engine off to keep plumes of exhaust from drawing attention.
Shivering behind the wheel, I blew on my hands to warm them. Then, ignoring the phone vibrating in my cup holder, I lowered the window and reached across the seat for my camera. With the office rent due and Christmas a few weeks away, the two hundred dollars a day plus expenses my client was paying for surveillance shots said whoever was on the phone could wait.
It buzzed again, rattling against the plastic like a hornet against glass. Holding the camera to my eye with one hand, I felt for the phone with the other and pressed a button on the side, cutting the connection.
Across the street, the man in the cowboy hat, smalltime record producer and big time philanderer Richie Barron, clambered out of the driver’s seat and waddled to the passenger side, the tails of his leather duster flapping around his calves. The hat was a prop. He was built like a groundhog, and if he’d ever even been on a horse, it was being led in circles at some kid’s birthday party.
As he reached for the handle of the passenger door, I adjusted the lens and snapped a photo. The phone buzzed again. This time, I glanced over at the caller ID on the illuminated screen. My niece, Caitlin. I frowned. She wouldn’t risk losing her phone privileges to call me in the middle of a school day unless she had a serious problem. But why call me, instead of my brother or his wife?
I lowered the camera and fumbled for the phone with cold-numbed fingers. Flipped it open and held it to my ear.
“What’s going on, Katie-Bear?” I said. At fourteen, she was too old for the nickname, but as her favorite—and only—uncle, I got a special dispensation.
“Hey, Uncle Jared.” Her voice was almost too soft to make out, so I shifted the camera and put a finger in the opposite ear to hear better. “I’m not supposed to have my cell phone out, but …”
“But?” Phone tucked between my jaw and shoulder, I aimed the Sony and snapped another picture as Richie slung open the passenger door of the Lexus. Snapped another as a woman in black tights and stiletto-heeled boots emerged, looking like she’d stuffed the bra beneath her fur cape with casaba melons. A minimal background check had identified her as Destiny Mirage, a twenty-two-year-old stripper with musical aspirations. Gypsy Rose Lee meets Dolly Parton.
Caitlin said, “I have to tell you something.”
Across the street, Destiny planted a kiss on Richie’s cheek, leaving a smear of lipstick behind. I snapped another picture and said, “So. Tell me.”
“I’m not sure if I should.”
“If you’re not sure you should—”
“It’s just … Well … Josh …”
At the quaver in her voice, my mouth went dry. Overreacting, maybe, but in the past six months, Josh had given us reason to worry. Moody. Withdrawn. Flirting with danger. This past summer, he’d come out of the closet and run away from home to live with the pushing–thirty son-of-a-bitch who’d seduced him.
The son-of-a-bitch, Razor, had been murdered a few days ago, butchered by the group of vampire wannabes he’d gotten Josh involved with, and even though Josh hadn’t seen the man in months, the murder had hit my nephew hard.
And now …?
A series of disasters flashed through my mind. Pictures of my nephew crumpled in a spreading pool of blood. Shot by a classmate. Knifed in the high school cafeteria. Crushed in a smoldering tangle of tortured metal that had once been his mother’s Camry. Nothing simple like a nosebleed or a broken arm. Caitlin wouldn’t have called me for that.
I said, “What happened to Josh?”
“I don’t want to be a snitch, you know?” she said, and my chest loosened up a notch. Josh wasn’t hurt; he was into something Caitlin didn’t want to snitch about.
“Are you snitching or helping?” I said.
“Helping, I think.”
“Then tell me.”
Silence.
As the couple across the street picked their way up the slippery walkway, I finally remembered what I was supposed to be doing and snapped another photo.
The silence on Caitlin’s end of the line stretched on. I blew out a long breath that fogged the windshield and formed a cloud around the bobble-head Batman on my dash. A gift from my brother, Randall, who had a matching Superman on his. Batman wore a piece of tinsel around his waist in honor of the season.
“Okay,” I said to Caitlin. “This is where you tell me about Josh.”
She let out a sigh and said, “Maybe it’s nothing.”
“Or maybe it’s something. Tell me, and we’ll figure it out.”
“I don’t know. You know how you and Dad always say no tattling unless there’s destruction involved?”
“Yeah. So?”
“What if you’re not sure?”
“Then you tell.”
She was quiet for a moment, maybe thinking about it. “I don’t know where to start.”
At the door of the condo, Destiny rubbed her upper arms with her gloved hands while Richie jiggled the key in the lock. I snapped another shot.
“Start anywhere,” I said. “Is Josh into drugs or something?”
“No. I mean, I don’t think so.”
“What do you think?”
Another silence. I imagined her, hand cupped over the phone, face scrunched with worry and concentration. The same look she’d worn when she was five and I put her on my palomino Quarter Horse for the first time. Finally, she said, “It’s just … A couple of cops came and talked to him while we were at lunch. And then—”
“Wait a minute. Cops came and talked to him? Without Randall or your mom there?” No need to wonder what they’d discussed. Razor’s murder had been brutal; police would have questions for everyone who’d known him or his killers. I didn’t like it that they’d talked to Josh. It wasn’t illegal, but it pissed me off anyway.
Caitlin said, “They were just asking some questions. But then, when he came back to the cafeteria, this guy named Kevin called Josh a faggot and a criminal and sort of shoved him, and they … sort of got into it.”
I glanced up at the condo. Richie and his lady friend had disappeared inside. Nothing to see but the blank face of the door and a half-dozen thick-curtained windows.
“Is Josh all right?” I asked.
“He had a bloody nose. So the principal sent him to the clinic and then to detention.”
“What’d he do with Kevin?”
“Nothing. It was so totally not fair.”
“So Josh is in detention.”
“No, he was in detention. But about five minutes ago, I was in Algebra, only I was looking out the window, because who could listen to one more boring word about integers, you know?—and I saw him running across the parking lot. And when he got to the street, he just jumped in the middle of road and stopped this truck—it almost hit him—and then this big guy got out and they talked for a minute, and then Josh climbed in and they drove away. So I told Mrs. Taylor I had to go to the bathroom, and I came out here and called you.”
“You’re sure it wasn’t a friend’s truck?”
“I never saw it before. It had one of those camper tops with a picture on the side, so I’d know if I’d seen it. Something with an eagle.”
“Why didn’t you call your mom or dad?”
“I told you. I don’t want to get Josh in trouble. But he looked—” She hesitated.
“He looked what?”
“I don’t know. It scared me. Would you go and check on him, Uncle Jared? Please? What if he got in the truck with some kind of psycho?”
I’d worked too many homicide cases not to know it was possible. The odds were with him, but they’d also been with every kid we’d ever pulled out of a shallow grave.
“I’m sure he’s okay,” I said, though a worm of anxiety squirmed low in my belly. “But if it will make you feel better, I’ll check it out.”
She whispered a quick thanks and a description of the truck Josh had gotten into, and the connection broke.
I dropped the camera onto the passenger seat and started the engine. A blast of cold air burst from the dashboard. I punched the accelerator without waiting for the engine to warm up and squealed away from the curb. Best-case scenario, I was wasting my time. Worst-case scenario … No point thinking about that.
I skidded on a patch of black ice and swerved to avoid the front bumper of a tricked-out Mustang with a Confederate flag on the hood. The driver blasted the horn. Shot me a salute with his middle finger. I started to flip him off, then gave a ‘whatever’ wave instead and eased off the accelerator. I’d be no good to Josh wrapped around the front grille of an eighteen-wheeler.
From Music Row, I shot across Chet Atkins Place, hit Broadway and then I-40 heading east toward my brother’s place in Mt. Juliet, a bedroom town about sixteen miles east of the city. Twenty minutes after Caitlin’s call, my tires crunched onto the gravel driveway of Randall’s split-level white brick house. No one answered my knock, so I used my copy of the key, pushed open the door, and called Josh’s name.
No answer.
A light blue backpack lay on the hall table, zipper half open, a half-naked, scythe-wielding winged man sketched in black ink across the front of the pack. It was homoerotic as hell, and I knew Josh and Randall must have fought bitterly about it. It bothered me some too, but a bubble of pride rose in my chest anyway. It was a damn fine drawing.
The backpack meant Josh was here, or had been here. Maybe alone, perhaps with a friend. Maybe with Caitlin’s hypothetical psycho, though the odds were against it. A serial killer wouldn’t have brought Josh home. Probably.
More likely, I’d find Josh in bed with some other boy from school. Or maybe an older man. At the thought, my fists clenched. Razor was dead, but there was always some other lowlife ready to take advantage of a kid in crisis.
The kitchen and the living room were empty. Nothing in the hall but smiling family photos, a spectrum of blond. Wendy’s platinum, Caitlin’s butter, foster daughter Rina’s cornsilk, Randall’s and a younger Josh’s matching buckskin. All that gold, broken by an older Josh’s artificial black.
At the foot of the stairs, I called my nephew’s name again. Listened for the frantic scrambling of two kids about to be caught screwing around. Heard nothing.
Up the stairs, quicker now, glancing into each room as I passed. Guest room, master bedroom, Caitlin’s, Rina’s. Rapped my knuckles on Josh’s door, got no answer. Pushed it open.
Empty.
The bathroom door at the end of the hall was closed. I knocked. No answer. Tried the knob. Locked.
I pressed my ear to the door. “Josh?”
Silence.
Wrong, this was all wrong.
I took a step back. Pivoted sideways, rocked my weight onto my right foot, and had a moment to wonder how I’d explain the broken door if Josh was inside wearing headphones and jerking off to some heavy metal Goth punk band. Then I drove the heel of my left boot into the particleboard just below the doorknob. A blade of pain shot through my calf, the ghost of a bullet wound that would probably have healed by now if I had the patience—or maybe the discipline—to stay off it. The wood trim around the lock splintered with a sharp crack, and the door swung inward.
The crack widened in slow motion, and the room swept into view. Polished ivory tiles, a white porcelain toilet with a thin brown crack along the base, a set of monogrammed towels folded neatly over a ceramic bar. An old-style, claw-footed tub filled to the rim with what looked like watered wine.
The air in the room seemed to thicken. For a heartbeat, I stood paralyzed, unable even to breathe. Then I was moving, cell phone in hand, punching 911, my voice detached as if I were calling in a robbery to Dispatch. Not thinking, no time to think, but the details catalogued themselves into my brain all the same.
Josh slumped against the side of the tub, fully clothed except for his sneakers, which were neatly aligned on the bathmat, navy sweat socks tucked inside. Beside them lay a package of Schick double-edged razor blades, flap open. On the edge of the tub, a bloody half-handprint stood out like a flare against the white enamel.
No time.
I hauled Josh out of the still-warm water, cell phone trapped between my ear and shoulder, giving the operator my brother’s address with one part of my brain while another part gibbered like a madman. Praying, praying without words, because the only words my brain would form were in answer to the operator’s cool tones. Reddened water sloshed over the side of the tub, streamed from Josh’s hair and his shirt and his blood-darkened jeans, soaked my shirt through to the skin.
Too late, the madman whispered. My stomach felt lined with lead. Too late.
But sometimes, in His infinite mercy, God allows us to save the things we love.
Blood still trickled from Josh’s wrists, a good sign, even though his skin was so white he looked bleached. Only the living bleed. His skin had a waxy sheen, but his chest rose and fell almost imperceptibly.
The phone, useless now, clattered to the floor. I snatched the towels off the bar, pulled Josh’s arms above his head, and pressed a towel to each wrist. I held them there until the paramedics pulled me away.